
By Peter Caranicas
Entity FX, which prepared the special effects for CW’s “Smallville,” was ready for the end of the series and prepped other projects.
In a sure sign of summer, effects-driven tentpoles are crowding the multiplexes. But as the studios try to outdo each other with eye-popping visuals, race to meet tight release schedules and fight to hold down costs, their effects suppliers are feeling the pain of overwork and underpayment — a disturbing trend chronicled by Variety’s David Cohen (Variety, May 25).
Effects houses whose clients include TV series also face issues of compressed workloads, but the ebb and flow of their business is different. While TV has pitfalls of its own — shows going on hiatus or being suddenly cancelled — it also brings steady work that, on a successful series, can last for years.
Entity FX created effects for CW’s “Smallville” for nine seasons and was prepared for the series’ end date of May 13. “We’ve been doing several other projects while working on ‘Smallville,’ ” said Entity producer Trent Smith. TV shows that have filled the pipeline include CW’s “Vampire Diaries” and AMC’s “Breaking Bad.”
Smith said Entity, like other houses, has structured itself for peaks and valleys, relying on a freelance pool to expand its workforce from a core dozen to as many as 90.
Effects house Zoic Studios, which built much of its business around episodics, lost the recently canceled ABC sci-fi skein “V.” The company had sunk lots of R&D coin into the series, said vfx supervisor Andrew Orloff. “We developed new technology for it. It’s a risk you take, and you have to look at it as investing in a product rather than in a single show. When ‘V’ got cancelled our system became available for other shows. One of them came over and said, ‘Hey, we have a different application for it. Come do that for us.’ ”
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